❤❤❤ Womens Fashion 1920s

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Womens Fashion 1920s



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Fashion History 2: The Roaring Twenties

The type of suit changed with his seniority at work and the season. Mid s conservative men and young men suits. Everyone else wore the quality of suit they could afford. Usually, a man had 3 or 4 suits he would wear during the week, changing shirts daily. Business suits were purchased with an extra set of pants since they wore out quicker than suit coats and vests. Dress shirts were striped with white round or pointed collars that were detachable up until the late s. Cufflinks were also necessary. In the early years, suits were slim and plain colored.

These also came in bolder wide stripes, big checks, windowpane, plaid, and tweed fabrics. Suit jacks buttoned up with buttons to mid-chest. The jacket hung down to the upper thigh and was worn over a matching lapel collar vest. Both coat and vest lapels were quite wide. Men wanted wide, loose clothing that felt as comfortable as their weekend attire starting around Suit pants were wide, too, by the mids.

They fit very high on the waist and had to be held up with suspenders. They were usually flat front, creased down the center leg, and cuffed at the bottom. Men could wear a belt, too, but they were less common. Suit accessories included a necktie or bow tie in patterns of wide stripes, small dots, and paisley. They were often coordinated with the pocket square folder in the chest pocket. Some well-dressed men wore a collar pin under the necktie to hold the collar in place.

In cool weather, a wool topcoat kept a man warm. Notorious gangsters and bootleggers of the s wore 3 piece suits, too. What they wore was determined by their wealth, not their uh… occupation. Some well-to-do gangsters were known for wearing white spats over their boots, just like men did in the early s. They often did not have matching vests, and they fit poorly since they were purchased second hand. Learn how to dress like a s gangster here. Peaky Blinders outfit guide. Click here. In summer, an all wool suit was too hot. Instead, men turned to light flannel, striped seersucker, or linen suits. There were a few years where pastel colors were popular such as the pink suit Gatsby wore , otherwise white, ivory, or beige were the best colors.

Some men paired white pants with a double-breasted blue blazer for a yachting or nautical look. Musicians and college kids often wore wide striped blazers over white pants as a summer outfit. A straw boater hat completes the festive summer outfit. Seersucker suit on the left, ivory linen suit on the right. Both are perfect for hot summer events. Men wore hats out of the house just as the ladies did, although they were always taken off inside, which led to many men losing hats when placed on a community hat stand. Popular felt hats were the round bowler or derby hat, followed by the Homburg with a center crease in the crown.

The felt fedora hat was a newer trend with a more casual appearance for the middle classes. Various other hat styles were shaped from felt or straw with rolled brims or tall crowns. Common colors were grey, black and brown wool felt. The lightweight straw Panama hat was expensive but much nicer than other thick straw boater hats. By the end of summer, straw hats were in shambles and thrown away. The most dressy Oxford was the wingtip with a distinct W design on the toe. Most middle-class businessmen opted for the simple cap toe Oxford in brown or black or white nubuck in summer. Some old men continued to wear lace-up dress boots.

With snazzy new suit colors came the trend of two-tone Oxfords. Usually brown and white, they looked very dapper. Saddle shoes in brown and white were another casual shoe, although a few came in black and white. Farmers, steel workers, miners, and railroad men all had a distinctive uniform or dress code. For a general manual labor position, sturdy denim, canvas overalls or coveralls, a plaid wool work shirt, and tough leather boots was the standard dress. In cooler weather, a rain or oil slicker and fur-lined coat protected men from the elements. Manual labor was very hard. Progress was made for better labor conditions in the s and more time off yeah weekends!

Work clothing took quite a beating and needed to be mended and replaced frequently. The hat for most working classes was the 8 panel cap , also called a newsboy cap. It was soft, wide, and puffy, made of wool or tweed. Railroad men sometimes wore striped train conductor style caps. Delivery drivers would wear a fisherman style cap. Other specific jobs require different types of uniform hats. A white button-down dress shirt with wingtip collar and white or black bow tie was worn under a white or black U-shape vest. Wearing white was the most formal look, while black was for most semi-formal occasions.

Black patent leather shoes and a top hat completed the formality. Young men who did not have the means of purchasing a tuxedo were acceptable in their best suit. Certain occupations required men to wear formal clothing. Waiters, bartenders, butlers, hotel managers, and other service-oriented careers required men to dress in their finest formal attire. A lower class establishment, such as a neighborhood bar, would see staff dressed in a button-down shirt with sleeves rolled up to the elbow or help down with sleeve garters.

Bankers often wore sleeve garters, too. Another formal suit worn by business executives, politicians, and grooms was the morning suit. It consisted of grey and black striped pants, grey vest, black morning coat, wingtip shirt, tie, and top hat. It was a style that was fading quickly, except on special occasions and with the upper classes. It has come back around again today in wedding attire for grooms. Sports clothes for men included a pair of pants or knickers called plus fours. These knee-length pants were paired with a patterned sweater or pullover vest and a long sleeve button down shirt with the sleeves rolled up. Argyle was a common sweater or vest print as well as a print for tall socks.

Clashing colors were in style! An 8 panel cap newsboy cap was also worn, and a pair of two-tone Oxfords or saddle shoes were snazzy. Casual s look can be worn with or without a pullover vest. Any time a jacket was not worn, a vest was exposed. The current trend for dapper men wearing pants , a vest , shirt , and bow tie no jacket reflects this twenties fashion. For a casual summer outfit, white pants were worn with a casual button-down shirt and white pullover vest or sweater for a look inspired by tennis players. Semi-casual — Sweaters, vests, trousers and hats. College men wore looser suits, often without jackets — just a pair of pants, shirt, tie, belt and maybe a vest.

Hats were optional as well. Raccoon coats were not. Whatever the trendy fashion of the year was, college kids had to wear it. They also had to wear college colors in a scarf, a pocket square, bag, hat band, pin, or ring. School spirit was vital to the dress code. Jazz dances, such as the Charleston , replaced the slow waltz. Paul Whitman popularized jazz dance. In fact, jazz music and dance are responsible for the origin of the iconic term " flapper ", a group of new socially unconventional ladies. When dancers did the Charleston , the fast movement of the feet and swaying of the arms resembled the flapping movements of a bird.

Dances such as the Charleston and the Black Bottom in particular created a need for a revival in women's evening wear due to the dynamic and lively manner of these jazz dances. Dress and skirt hems became shorter in order to allow the body to move more easily. In addition, decorative embellishments on dresses such as fringe threads swung and jingled in sync with the movement of the body. Lastly, the use of glossy and ornate textiles mirrored light to the tempo of jazz music and dance. Jazz and its influence on fashion reached even further, with both jazz and dance motifs making their way onto textiles. These new textile designs included uneven repetitions and linear geometric patterns.

Many textile patterns produced in the United States also incorporated images of both jazz bands and people dancing to jazz. Undergarments began to transform after World War I to conform to the ideals of a flatter chest and more boyish figure. The female figure was liberated from the restrictive corset, and newly popular the boyish look was achieved through the use of bust bodices. Some of the new pieces included chemises, thin camisoles, and cami-knickers, later shortened to panties or knickers. These were primarily made from rayon and came in soft, light colors in order to be worn under semi-transparent fabrics.

During the mids, all-in-one lingerie became popular. For the first time in centuries, women's legs were seen with hemlines rising to the knee and dresses becoming more fitted. A more masculine look became popular, including flattened breasts and hips, short hairstyles such as the bob cut, Eton crop , and the Marcel wave. The fashion was seen as expressing a bohemian and progressive outlook. One of the first women to wear trousers, cut her hair short, and reject the corset was Coco Chanel. Probably the most influential woman in fashion of the 20th century, Chanel did much to further the emancipation and freedom of women's fashion. Jean Patou , a new designer on the French scene, began making two-piece sweater and skirt outfits in luxurious wool jersey and had an instant hit for his morning dresses and sports suits.

American women embraced the clothes of the designer as perfect for their increasingly active lifestyles. By the end of the s, Elsa Schiaparelli stepped onto the stage to represent a younger generation. She combined the idea of classic design from the Greeks and Romans with the modern imperative for freedom of movement. Schiaparelli wrote that the ancient Greeks "gave to their goddesses Departing from the chemise, her clothes returned to an awareness of the body beneath the evening gown. Actress Elaine Hammerstein , The forehead was usually covered in the s, here by a hat reaching to the eyebrows. Actress Norma Talmadge in formal wear, early s. By , skirts ended just below the knee.

Tunic-tops and sweaters reaching to the hips were popular. Actress Evelyn Brent , in the mids with bobbed hair. Actress Aileen Pringle wearing a cloche hat and boldly patterned coat, Actress Alice Joyce in a straight dress with a sheer beaded overdress, A painting showing the mid-decade silhouette at its simplest: languid pose, bobbed hair, knee-length dress with dropped waist, Designers used multiple hemlines here, tiers of ruffles to accustom the eye to longer skirts.

This dress foreshadows the higher waist and feminine look that spread to everyday fashion by the early s. Woman hiding a hip flask tucked in her garter belt during Prohibition , late s. May , abdomen and curves. After many years of a "stovepipe" silhouette, "natural" curves were beginning to reappear. Knee-length, pleated skirts and dropped waists were still popular as everyday clothes in , though Paris designers were already showing longer skirts and higher waistlines.

Bridesmaids gowns of have knee-length underskirts and longer, sheer over skirts, foreshadowing the trend toward longer skirts. Minnesota, An Argentine aristochrat wearing a robe de style in In menswear, there were two distinct periods in the s. Throughout the decade, men wore short suit jackets , the old long jackets being used merely for formal occasions. In the early s, men's fashion was characterized by extremely high-waisted jackets, often worn with belts. Lapels on suit jackets were not very wide as they tended to be buttoned up high. This style of jacket seems to have been greatly influenced by the uniforms worn by the military during the First World War.

Trousers were relatively narrow and straight and they were worn rather short so that a man's socks often showed. Trousers also began to be worn cuffed at the bottom at this time. By , wider trousers commonly known as Oxford bags came into fashion, while suit jackets returned to a normal waist and lapels became wider and were often worn peaked. Loose-fitting sleeves without a taper also began to be worn during this period.

During the late s, double-breasted vests, often worn with a single-breasted jacket, also became quite fashionable. During the s, men had a variety of sport clothes available to them, including sweaters and short trousers commonly known in American English as knickers. For formal occasions in the daytime, a morning suit was usually worn. For evening wear men preferred the short tuxedo to the tail coat, which was now seen as rather old-fashioned and snobby. Men's fashion also became less regimented and formal.

Men favored short jackets with two or three buttons rather than jackets with long tailcoats as well as pinstriped suits. Casual-wear for men often included knickers, short pants that came to the knee. The tuxedo vest could be black or white, but, unlike the obligatory full-dress white tie, tuxedos ties were always black. Men usually completed their tuxedo outfit with all the same accessories as the full-dress suit, except that instead of top hats they would wear dark, dome-shaped hats called bowlers.

Just like women, men had certain attire that was worn for certain events. Tuxedos were appropriate attire at the theater, small dinner parties, entertaining in the home, and dining in a restaurant. During the early s, most men's dress shirts had, instead of a collar, a narrow neckband with a buttonhole in both the front and back. By the mids, however, many men preferred shirts with attached collars, which were softer and more comfortable than rigid, detachable collars. Men's hats were usually worn depending on their class, with upper class citizens usually wearing top hats or a homburg hat. Middle-class men wore either a fedora , bowler hat, or a trilby hat. During the summer months, a straw boater was popular for upper class and middle-class men.

Working-class men wore a standard newsboy cap or a flat cap. Photographer Clarence Hudson White , c. Politician William J. Fields wearing an overcoat and soft-crowned hat with a bow tie , December Publisher Edward Beale McLean wearing a three-piece striped suit with a spread-collar shirt, Men wearing morning dress and spats in wedding photo, Ronald Reagan as a teenager wearing knickerbockers , s. Many women turned to fashion as a vocation in order to support their fatherless families in the case of war widows, or to earn extra income to spend on the new luxuries.

Working women also embraced the relatively inexpensive ready-made clothes as mass production of contemporary clothing became common. It didn't matter if there wasn't a department store in your town or city where you could shop for clothes or accessories as all the big department stores had mail-order catalogs where you could order clothes for men, women, and children for delivery by post. This meant country people had easy access to city fashions for the first time. Pantsuits, hats and canes that gave women a sleek look without frills and avoiding the fickleness of fashion were popular for a while. In Europe, this look featured women with short hair Bubikopf for the first time; in the U.

The hairstyles of Hollywood stars were copied by women all over the world and womens magazines carried articles on how to achieve the current look. Hairstyles were much shorter than the previous decade and styles like finger waving, the Marcel wave and permanent waving were in vogue. Women's underwear changed as a result of this move towards practical clothing, with corsets becoming smaller and more flexible, and modern style bras being introduced. The new bras provided shape and support whereas the older style tended to flatten breasts and constrict the chest. Flappers, as the trendy young women were called in the U. By seams had risen to just below the knee, so that part of the knee could be seen when dancing the Charleston.

Thus, the Roaring Twenties redefined womanhood — a new woman evolved; it became more acceptable to smoke and drink in public, closer body contact in dancing, shorter hair, make-up, different styles of dress, and greater participation in the workforce - all contributed to the new woman.

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